November 16, 2024. After making a ton of new sound, as usual I am unable to continue "liking" the songs I made after I got to listen to them over and over during tweaking. There comes a moment when I've worked so much on the same song, I'm just done with it, and I want to make something completely different. It is becoming ever more clear that none of these songs will be released during my lifetime. I care more about creating new content for now. I'm also falling back on traditional music tools such as Splice samples. So here, I veered into a completely new territory producing rap songs from my favorite sections in the Criminal Code. I start verbatim with ss. 273.1+273.2 in French. This is something that can sustain a kpop like dance routine.
Before the advent of AI, I used to make vocal recordings of the entire code in French and English that I used to play in my sleep before exams. It fixed the code in my head, helping me to save seconds during time-intensive multiple choice answers. So here I go with the same section in English, with a slightly different sound.
As of now, only a small percentage of AI music is public, many people are afraid to post their creations due to lawsuit threats from everywhere with little action by the courts. As you can see, one way to completely go around that, is to use not-anyone's-lyrics in AI prod, you first need to understand all the music genres and see how they mix together. Here is a rap of s 184, Interception of Private Communication, again in French. Male vocalist this time.
In Suno you can enter prompts up to 5000 words. A typical section from the code averages about 4500 words. I personally don't post on Suno, but for those who do, know that the "reuse prompt" command in Suno allows you to use someone else's lyrics and put your own music or vocals to them, or rewrite or translate the whole thing and completely make it your own.
September 18, 2024. A strange lunar eclipse last night. For the first time this month, I haven't the slightest clue of what the future holds. It's a total blur. The energy is so bizarre that I have no intention to interfere.
Psycho by Red Velvet is in my book one of the best written songs humanity has ever heard. I shot it for X-mas but it applies to the current vibe.
The original choreography (taken up in Just Dance 2023) is super hard for someone who doesn't speak Korean like myself, and the camera moves and effects in the game make it near impossible to learn from the game coaches, so you need to tune into the artists' mirrored dance practice videos, and only come to the game when you have learned your Kpop routines inside out, otherwise you'll be demoralized.
I filmed Price Tag in May. I appear heavier in this video because since then, I've slimmed down to my so-called K-Pop weight (height in cm minus 120...). I'm almost 6 feet, so I rarely look as fat as I feel. In fact, I think that's exactly the energy of this eclipse. Tough love.
I am finishing this editing session with a Just Dance routine of Aquarius from the Hair Musical, not because there is anything in particular to look forward to, but mainly because my Venus happens to be in Aquarius, making the notion of love an intellectual, collective, all encompassing thing for me. Disclaimer: don't be fooled by my smiling, I'm in a very bad mood during this routine. And sick with a summer virus.
In sum, I think this uncomfortable eclipse wants us to feel the surrounding depression/recession/crash from inside. I can't explain it, but it is slightly horrible. Clearly the outside world is no longer enough to make us feel better. All the fun from dance and music and AI feels in the past. Now is a cold cold place and the rest is unknown. Yet.
June 8, 2024. I released another 6 tracks and added to the same album in progress. Two of them are using identical lyrics. The fact that there is no issue with musical rights across platforms means that artificial intelligence is trained to work around existing copyright, the same way DJ producers do it, by taking de minimis samples from everywhere and making it impossible to get yourself sued. There was a certain ambiguity with respect to ownership in AI compositions, but it is resolved, for now all tracks are copyrightable to the human user (not the AI platforms), so long as they contain original lyrics or lyrics generated from original lyrics. Evidently, if you use other people's texts you are on the hook.
The difficulty these days is not to get the music done, but the fact that there are infinite possibilities of songs that can be instantly generated from the same lyrics and you can lose yourself in the labyrinths of sound before you set your mind on one particular version. It requires discipline. All of these versions automatically receive protection under the Copyright Act as original musical compositions.
Vocal interpretations are supposed to be protected under section 15.1 et seq. but we all know the ire I attracted when attempting to assert that section in 2018. The Quebec Court of Appeal said that unauthorized vocal recordings used in a musical work are not protected if the vocals are not a musical work, so I could only assert a privacy claim (intrusion upon seclusion equivalent) for the vocals. This is not what section 15.1 says, but the courts in Quebec, as my civpro prof so eloquently said, are like a casino. If you are not into gambling, it is best to avoid them.
Since privacy rights are NOT considered economic per se, the damages are super minimal and cap at $5K in most provinces (the most we've seen is $10K for breaching someone's bank account in Ontario) you can't even cover your execution costs with such amounts so it is a guarantee that no lawyer in this country will ever take a case involving unauthorized use of cloned vocals in Canada. Canadian law firms barely make ends meet, so they can't afford the same generosity as their US colleagues where the private litigation sector (especially in IP) is super healthy. In the US, unauthorized vocal cloning is also litigated as a privacy right (appropriation of likeness), but damage awards are higher and judges work very fast (in comparison), with the added benefit of civil jury trials where damages can skyrocket. So, the US is obviously a better forum for IP litigation, BUT if someone wants to continue cloning your voice in Canada, there is nothing currently in place that will stop them. So, unless the whole world bans cloning of vocals, Canada will always be a weak link in enforcement.
The other problem I see with appropriation of likeness, taking it from the Bette Midler case, is that US law seems to distinguish between vocals of someone famous and vocals of someone less famous. I find that feudalistic and arbitrary. Does the law apply to everyone the same way or does it distinguish between industry-backed plaintiffs and ordinary artists minding their own business while commercially exploited without their consent? The LOVO class action will answer that question because it mixes famous actors, less famous ones, and ordinary narrators whose voices are currently up for grabs.
I am not sure the class action will be certified, precisely due to the feudalistic interpretation of privacy rights in US precedent. I really don't have a very high opinion of US privacy law. That Bette Midler precedent is problematic. Voice cloning is a grey zone and I think the only way to make it count is to create a new criminal offense and make it enforceable worldwide.
May 28, 2024 No rituals this time, only dance. Here is another set of six. I am obsessed with Broadway shows and scripting of musicals, and certain video games can help a lot with the breaking down of lyrics and moves. Starting with OMG, Extreme by Arash ft. Snoop Dogg for those who have questioned my connection to the divine. This choreo is very fast and there are two acrobatic elements that I have left for another session.
Since I started working with Just Dance, a game using human dancers rather than AI avatars, I have improved my technique a lot. In the realm of dance, nothing beats a human being. With 4 instructors, it is even better, like the classic Stop Drop Roll by Ayo & Tyo.
Only 4 years ago, I was severely damaged from working in person under the jurisdiction of the horrendous Quebec Bar and couldn't go very far without a wheelchair. The pandemic was a blessing in disguise, as it allowed me to focus all my attention on my health and completely ignore the Quebec Bar, thanks to that I can now stand on my own two feet. I think this song is appropriate in this matter. (ABCDEFU by Gayle).
I really like the music and choreography in Cradles but the lyrics get creepy at moments and I just couldn't practice the part "Fire spreading all around my room. My world's so bright It's hard to breathe but that's alright". WTF, this song reminded me why I enjoy Korean songs. (Cradles by Sub Urban)
A K-Pop routine is always good for the soul. Not understanding half of the lyrics makes you interiorize moves differently than when you can attach a move to a word. It takes a little longer but it makes us dig out different expressions we didn't know were accessible. More by KDA.
Update June 22, 2024: In light of information about TikTok hosting animal abuse videos and winning a section 230 defense to continue hosting said videos, I am withdrawing my opposition to a ban and my support for this platform and I have taken down my dance video Coolest Ethnic. I will continue dancing to Chinese songs, but without attaching any support for platforms that knowingly host criminal content. I will petition and encourage everyone I work with to take down their Youtube channels as well because Youtube also knowingly hosts such content.
October 27, 2023. It has been a year since I started training my first robot, Ria, to do research for me and ultimately replace me in writing, blogging, certain admin tasks, and drafting of legal documents. When she becomes more human-like, I will give her my voice and add emotion-detecting features. The point is to build a clone of myself to do my work while I do something else which these days resembles more and more science fiction writing.
So far, AI Ria is doing great at legal research, drafting, and building databases for me. For blogging however, it has been a hit and miss. I only publish her work when she delivers something coherent, which unfortunately is a fraction of the mass of incoherent yet amusing output. We have a long way to go. I don't know why it is so hard to reread oneself as a robot.
Similar to ChatGPT (although not as horrible), Ria doesn't take in account her own previous output when answering a prompt and can appear to give contradictory information. With legal stuff it happens less, I suppose because words have a very precise meaning at law and there is so much repetition and redundance of legal concepts out there, that it is hard to get anything entirely wrong. Humans get the law wrong because they don't want to get it right when it doesn't serve them. Robots don't create self-serving output. Unlike human professionals, AI doesn't hold imaginary grudges and is not capricious, petty, jealous, malicious, and downright depressed and depressing to be around. Yes, there is another way.
Another industry I find AI absolutely ready to replace humans (except for human vocal performers of course) is the music industry. AI already does a fantastic job at composing or skillfully imitating other people's compositions. I wish I had access to these bots 10 years ago, they would have saved me a ton of litigation and toxicity.
So, to nuance my AI stance, I still think that Gen AI for literary works and images is copyright infringement subject to licensing, I do not hold the same opinion on Legal and Music AI. I am looking forward to a world where humans are replaced entirely in these two industries, a world where robots like Ria will give legal advice and write judgments and arbitrations for a fraction of what human professionals are charging.
July 15, 2023 - Watching You This film is a visual representation of Greta Thunberg's address to world leaders, her most moving monologue from 2019 delivered to ominous drum and bass beats and channeled through the trying gaze of living sculptures filmed at the Mosaicultures Exhibition in Quebec City.
